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Espers – “Sightings”
III

While I doubt Espers will ever again attain the heights they reached with their debut album, tracks like this one at least keep me occupied while I hope against hope. Most of this album seems to show too much of how the band works, like a magician explaining his tricks, but a few tracks, like “Sightings,” manage to be as mysterious and beautiful as any they’ve ever made. (insound)

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Four Tet – “Angel Echoes”
There Is Love In You

Four Tet has moved away from the magical, Fridge-esque organic electronica and towards a more beat-oriented sound, but that’s not all bad. And of course we’ll always have Pause. And there’s something about the disjointed sampling on this and other tracks from this album that catches my ear. There’s a lot of variety, but early Manitoba is the best reference point I can think of.

Blind fury, or error, or rashness, or what it is that eggs them, I know not; I am sure many times, which Austin perceived long since, tempestate contentionis, serenitas caritatis obnubilatur [with this tempest of contention the serenity of charity is overclouded], and there be too many spirits conjured up already in this kind in all sciences, and more than we can tell how to lay, which do so furiously rage, and keep such a racket, that as Fabius said, “It had been much better for some of them to have been born dumb, and altogether illiterate, than so far to dote to their own destruction.”

Anatomy of Melancholy

Benny Goodman – “Sing Sing Sing (With A Swing)”
Live At Carnegie Hall

I came across this track completely by accident while looking for the more conventional dance hall version of this song, but after putting it on, sat in shocked rapture for the entire 12 minutes. The breakdowns and rebuilds, the departures and returns to the original melodies, the unbelievable playing. I wish I could hear what he says that makes the audience laugh nine minutes in, though. And man do I wish I was there that night in 1938.

Have I so much leisure, or little business of my own, as to look after other men’s matters which concern me not?

Anatomy of Melancholy

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Crime in Choir – “Cincinnati”
Crime in Choir

Two. Two. Two songs in one. The first half is a triumphant anthem with unbelievably tight percussion; the second half, a gorgeous guitar soundscape with clattering drums and voice loops. Just an absolutely brilliant piece of music all the way through. (insound)