Dedication, King Solomon’s Mines, H. Rider Haggard

tumblr_l6fxd7RAJG1qzv802

Blood On The Wall – “Stoner Jam”
Awesomer

I place this song under the same “nearly perfect” category as the Beatles’ “I Feel Fine,” Radiohead’s “Airbag,” and Skygreen Leopards’ “The Heron.” There are hundreds of such songs in my memory, but it is still relatively exclusive company; it is a category of consummate craftsmanship and a sort of syzygy of every element in a song to make it something more than a sequence of notes. Blood On The Wall’s “Lightning Song” is another good example. (insound)

The floor of the cloister itself was covered with thousands of identical, horn-shaped, nine-sided tiles that had been joined together with machine-tool precision into a nonrepeating double-spiral pattern that was giving me motion sickness just looking at it. I turned my back on this and looked at a loaf of bread that was resting on the table. This was so fresh that steam was gushing out of the end — Arsibalt, an infamous heel-filcher, had already got to it. The loaf had been made by braiding several ropes of dough together in a nontrivial pattern that, I feared, had deep knot-theoretical significance and was named after some Elkhazgian Saunt.

Anathem

Collections of Colonies of Bees – “Flocks III”
Birds

This track belongs with the grand-daddies of post-rock: GY!BE’s “Storm,” Tarentel’s “Ursa Minor, Ursa Major,” much of Mono’s Walking Cloud, and so on. Their take on the long-form instrumental rock genre is more repetitive and anthemic than Mono’s wandering strains of hard-soft or Godspeed’s tone poems. Warning: the track is 11 minutes long, and you have to listen to the whole thing straight and at great volume. (insound)

tumblr_l6afnqFYfz1qzv802

The Delfonics – “Delfonics Theme”
La La Means I Love You

Your slow-motion make-out track of the day. The instrumentation on this song (sitar, piano, horn, organ) is just a bonanza.

Ludicrous foppery if not outright witchcraft.

Anathem