Power up!

I’ve gone back and tagged any posts that fall under art, music, quotes, or vocabulary and you can now browse those to the left there.

Also added some handy lines so you know when to stop reading. Up next, revamping the buttons. (Eh, those didn’t turn out as well as I’d like. I’ll redo ‘em later.)

Religious distress is at the same time the expression of real distress and the protest against real distress. Religion is the sigh of the oppressed creature, the heart of a heartless world, just as it is the spirit of a spiritless situation. It is the opium of the people.

The abolition of religion as the illusory happiness of the people is required for their real happiness. The demand to give up the illusions about its condition is the demand to give up a condition that needs illusions. The criticism of religion is therefore in embryo the criticism of the vale of woe, the halo of which is religion. Criticism has plucked the imaginary flowers from the chain, not so man will wear the chain without any fantasy or consolation, but so that he will shake off the chain and cull the living flower.

Marx

This is great. Final Fantasy Compendium has (as one would expect from a compendium) a listing of all the airships and other forms of transportation you can take in the Final Fantasy games. Love them pixels.

Dirty-looking rascals, but I suppose every one has some little immortal spark concealed about him. You would not think it, to look at them. There is no a priori probability about it. A strange enigma is man!

Sherlock Holmes

Step in, sir. Keep clear of the badger, for he bites. Ah, naughty, naughty; would you take a nip at the gentleman?” This to a stoat which thrust its wicked head and red eyes between the bars of its cage. “Don’t mind that, sir; it’s only a slowworm. It hain’t got no fangs, so I gives it the run o’ the room, for it keeps the beetles down.

Old Sherman in The Sign of the Four (Arthur Conan Doyle)

09_sonata_in_g_bwv_1027_andante

Johann Sebastian Bach, “Sonata in G, Andante”

Love this track. I saw it performed live in London by a very good pair of musicians and they really killed it. This version is good but the performers combined the mathematical precision with a bit of life to make something more of it.

Transfer of Napoleon’s ashes aboard the Belle Poule, October 15, 1840 (Louis Eugène Gabriel Isabey)