Is that all I am ever to do in life — dress myself carefully, put leaves in my hair, and think about the effect?

Maria Bashkirtseva, Journals

Odilon Redon – St George and the Dragon (1909)

Better our work unfinished than all bad.

John Ruskin, The Seven Lamps of Architecture

White Lung – “Down It Goes”
Deep Fantasy

I’ve been waiting for years for someone to pick up where Hot Snakes left off, and White Lung gets closer to doing so than any band I’ve encountered. Savages got close, but their sound was never desperate enough, and their singer was clearly going for something. Blood on the Wall had some of the attitude, but their best songs were their quietest. This is fast, raw, and brutal, approaching speed metal levels on “I Believe You” but generally striking a happy (and furious) medium with tracks like “Face Down” and this one. Bonus points for having no song reach 3 minutes. (insound)

Original patent for Katamari Damacy

“A game performing method for executing a game by arranging a plurality of objects comprising a plurality of objects to be stuck and an operation object, in a virtual space, controlling rolling and movement of the operation object according to a player’s input, and rolling and moving the operation object while sticking the objects which the operation object comes in contact with”

John Constable (eng. David Lucas) – Weymouth Bay, Dorsetshire

There is no law, no principle, based on past practice, which may not be overthrown in a moment, by the arising of a new condition, or the invention of a new material; and the most rational, if not the only, mode of averting the danger of an utter dissolution of all that is systematic and consistent in our practice, or of ancient authority in our judgment, is to cease, for a little while, our endeavours to deal with the multiplying host of particular abuses, restraints, or requirements; and endeavour to determine, as the guides of every effort, some constant, general, and irrefragable laws of right — laws, which based upon man’s nature, not upon his knowledge, may possess so far the unchangeableness of the one, as that neither the increase nor imperfection of the other may be able to assault or invalidate them.

John Ruskin, The Seven Lamps of Architecture