One sometimes gets the impression that deconstruction is a kind of game that anyone can play. One could, for example, invent a deconstruction of deconstructionism as follows: In the hierarchical opposition, deconstruction/logocentrism (phono-phallo-logocentrism), the privileged term “deconstruction” is in fact subordinate to the devalued term “logocentrism,” for, in order to establish the hierarchical superiority of deconstruction, the deconstructionist is forced to attempt to represent its superiority, its axiological primacy, by argument and persuasion, by appealing to the logocentric values he tries to devalue. But his efforts to do this are doomed to failure because of the internal inconsistency in the concept of deconstructionism itself, because of its very self-referential dependence on the authority of a prior logic. By an aporetical Aufhebung, deconstruction deconstructs itself.

John Searle, On Deconstruction

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Bach – “Ei! wie schmeckt der Coffee süße”
BWV 211, the “Coffee Cantata”

Ei! wie schmeckt der Coffee süße, / Ah! how sweet coffee tastes!
Lieblicher als tausend Küsse, / Lovelier than a thousand kisses,
Milder als Muskatenwein. / smoother than sweet muscatel.
Coffee, Coffee muss ich haben, / Coffee, I must have coffee,
Und wenn jemand mich will laben, / and if someone wants to treat me,
Ach, so schenkt mir Coffee ein! / ah! my cup with coffee fill! (wiki)

I would like to believe that hashish persuades nature to permit us — for less egoistic purposes — that squandering of our existence that we know in love. For if, when we love, our existence runs through nature’s fingers like golden coins that she cannot hold and lets fall so that they can thus purchase new birth, she now throws us, without hoping or expecting anything, in ample handfuls, toward existence.

Walter Benjamin, Hashish in Marseilles

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Black Moth Super Rainbow – “Forever Heavy”
Dandelion Gum

I wrote off BMSR long before this album came out, finding much of their output only partially accomplishing what it sets out to. Looks like they got their ducks in a row, because this excellent opener is a truly glorious combination of wah-wah synth, UFO noise, and the guy’s distorted voice. If a robot did mushrooms, this is what it would hum. (insound)

He had the appearance of a caryatid on vacation; he was supporting nothing but his reverie.

Les Miserables