All the elements that make what I write recognizable as mine seem to me a cage that restricts my possibilities. If I were only a hand, a severed hand that grasps a pen and writes… Who would move this hand? The anonymous throng? The spirit of the times? The collective unconscious? I do not know. It is not in order to be the spokesman for something definable that I would like to erase myself. Only to transmit the writable that waits to be written, the tellable that nobody tells.

When he arrived at a clearing, he saw a dragon holding a lion by the tail and burning its flanks with its flaming breath. My lord Yvain did not waste time observing this marvel. He asked himself which of the two he would help. Then he determined that he would take the lion’s part, since a venomous and wicked creature deserves only harm: the dragon was venomous, and fire leapt from its mouth because it was so full of wickedness.

He wears a mask, and his face grows to fit it.

Who can tell how scenes of peace and quietude sink into the minds of pain-worn dwellers in close and noisy places, and carry their own freshness, deep into their jaded hearts! Men who have lived in crowded, pent-up streets, through lives of toil, and who have never wished for change; men, to whom custom has indeed been second nature, and who have come almost to love each brick and stone that formed the narrow boundaries of their daily walks; even they, with the hand of death upon them, have been known to yearn at last for one short glimpse of Nature’s face; and, carried far from the scenes of their old pains and pleasures, have seemed to pass at once into a new state of being. Crawling forth, from day to day, to some green sunny spot, they have had such memories wakened up within them by the sight of the sky, and hill and plain, and glistening water, that a foretaste of heaven itself has soothed their quick decline, and they have sunk into their tombs, as peacefully as the sun whose setting they watched from their lonely chamber window but a few hours before, faded from their dim and feeble sight!

I only know two sorts of boys. Mealy boys, and beef-faced boys.”

“And which is Oliver?”

“Mealy. I know a friend who has a beef-faced boy; a fine boy, they call him; with a round head, and red cheeks, and glaring eyes; a horrid boy; with a body and limbs that appear to be swelling out of the seams of his blue clothes; with the voice of a pilot, and the appetite of a wolf. I know him! The wretch!

Never did men wear greater breeches or carry less in them of any mettle whatsoever.

One sometimes gets the impression that deconstruction is a kind of game that anyone can play. One could, for example, invent a deconstruction of deconstructionism as follows: In the hierarchical opposition, deconstruction/logocentrism (phono-phallo-logocentrism), the privileged term “deconstruction” is in fact subordinate to the devalued term “logocentrism,” for, in order to establish the hierarchical superiority of deconstruction, the deconstructionist is forced to attempt to represent its superiority, its axiological primacy, by argument and persuasion, by appealing to the logocentric values he tries to devalue. But his efforts to do this are doomed to failure because of the internal inconsistency in the concept of deconstructionism itself, because of its very self-referential dependence on the authority of a prior logic. By an aporetical Aufhebung, deconstruction deconstructs itself.