Creatures of Vibration.
The chief corner-stone suddenly found wanting in the glittering fabric of Mr Titmouse’s fortune, so that, to the eyes of its startled architects, Messrs Quirk, Gammon, and Snap, it seemed momentarily threatening to tumble about their ears, was a certain piece of evidence which, being a matter-of-fact man, I should like to explain to the reader, before we get on any further. In order, however, to do this effectually, I must go back to an earlier period in the history than has been yet called to his attention. I make no doubt, that by the superficial and impatient novel-reader, certain portions of what has gone before, and which could not fail of attracting the attention of long-headed people, as not likely to have been thrown in for nothing, (and therefore requiring to be borne in mind with a view to subsequent explanation), have been entirely overlooked or forgotten. However this may be, I can fancy that the sort of reader whom / have in my eye, as one whose curiosity it is worth some pains to excite, and sustain, has more than once asked himself the following question, viz.—
How did Messrs Quirk, Gammon, and Snap, first come to be acquainted with the precarious tenure by which Mr Aubrey held the Yatton property? —Why, it chanced in this wise.
Do you think me mad enough to beard a lion or try to outwit a Thrasymachus?
Hooray! The transfer from .tumblr.com to .cc is complete. Celebrate! (Jakob Böhme)
TK Webb & The Visions – “Closed Captioned Slang”
Ancestor
One of the standouts from a surprisingly strong album, this guitar fest shows what TK Webb is capable of with electric as well as “The Devil’s a Dork (The Sea Told Me)” shows off his acoustic skills. I love the sparkling and atmospheric coda.
And here we must observe that men must either be cajoled or crushed; for they will revenge themselves for slight wrongs, while for grave ones they cannot. The injury therefore that you do to a man should be such that you need not fear his revenge.
The “Lord God” Bird, or Ivory-Billed Woodpecker, so known because observers were known to cry that phrase out upon seeing this magnificent bird. (Plate by Audubon)
The For Carnation – “A Tribute To”
The For Carnation
One of the first offshoots of Slint, The For Carnation put out a few albums leading up to this one, but none, I think, effect the same fusion of menace and melody quite so well as this self-titled release from 2000. The softly-spoken vocals of Brian McMahon are indeed very Slint-like, but the pacing and subtle instrumentation are much less abrasive – though that doesn’t mean the band is incapable of bursts of noise like that at the four minute mark. An excellent album.
The splendors of human pomp and prosperity seemed rapidly vanishing in the distance. In the temporary depression of his spirits, he experienced feelings somewhat akin to those of the heart-sickened exile, whose fond eyes are riveted upon the mosques and minarets of his native city, glittering in the soft sunlight of evening, where are the cherished objects of all his tenderest thoughts and feelings; while his vessel is rapidly bearing him from it, amid the rising wind, the increasing and ominous swell of the waters, the thickening gloom of night— whither?
In the name of all that is manly and generous



