Yet man dies not while the world, at once his mother and his monument, remains. His name is forgotten, indeed, but the breath he breathed yet stirs the pine-tops on the mountains, the sound of the words he spoke yet echoes on through space; the thoughts his brain gave birth to we have inherited to-day; his passions are our cause of life; the joys and sorrows that he felt are our familiar friends — the end from which he fled aghast will surely overtake us also.

Truly the universe is full of ghosts; not sheeted, church-yard spectres, but the inextinguishable and immortal elements of life, which, having once been, can never die, though they blend and change and change again forever.

King Solomon’s Mines

The dense, unvisited woods on those inaccessible slopes seemed to harbour alien and incredible things, and I felt that the very outline of the hills themselves held some strange and aeon-forgotten meaning, as if they were vast hieroglyphs left by a rumoured titan race whose glories live only in rare, deep dreams…

Time had lost itself in the labyrinths behind, and around us stretched only the flowering waves of faery and the recaptured loveliness of vanished centuries — the hoary groves, the untainted pastures edged with gay autumnal blossoms, and at vast intervals the small brown farmsteads nestling amidst huge trees beneath vertical precipices of fragrant brier and meadow-grass. Even the sunlight assumed a supernal glamour, as if some special atmosphere or exhalation mantled the whole region. I had seen nothing like it before save in the magic vistas that sometimes form the backgrounds of Italian primitives. Sodoma and Leonardo conceived such expanses, but only in the distance, and through the vaultings of Renaissance arcades. We were now burrowing bodily through the midst of the picture, and I seemed to find in its necromancy a thing I had innately known or inherited and for which I had always been vainly searching.

H.P. Lovecraft, The Whisperer In Darkness

Vocabulary: Unrepentant Lappet Edition

morganatic: a marriage in which title or property will not be shared or bequeathed
lappet: a small flap or loose piece hanging from a piece of clothing; also, a wattle
supererogate: to do more, or perform better, than is required or expected
vedette: a mounted or mobile advance unit posted close to enemy lines
megrims: low spirits, a migraine, or some other transitive discomfort
unregenerate: unconvinced, unconverted, or unrepentant
sal volatile: ammonium carbonate (smelling salts)
omniana: information relating to… everything
intagli: incised carving, as oppose to relief
objurgate: to berate, reprimand, or curse

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Portugal. The Man – “Colors”
Censored Colors

My friend has been working on these guys’ music videos, so I thought I’d check them out. As it turns out, they’re very good! Excellent sense of harmony – the blasts of voices never clash with the instrumentation, although that lone violin is a bit overwrought. There’s a lot of variety on this record, but throughout, there’s a range of vocal experimentation that really catches your ear. “Colors” is a little more low-key than the rest of the album but I like it especially for some reason.

“The bear was fed with fruits, marmalade, honey and syrup, and was often rewarded with beer, which became his favourite drink. He also enjoyed eating cigarettes.” Wojtek, the soldier bear.

It crept on all fours, but when it reached the place where the king sat it rose upon its feet, and, throwing the furry covering off its face, revealed a most extraordinary and weird countenance. It was (apparently) that of a woman of great age, so shrunken that in size it was no larger than that of a year-old child, and was made up of a collection of deep, yellow wrinkles. Set in the wrinkles was a sunken slit that represented a mouth, beneath which the chin curved outward to a point. There was no nose to speak of; indeed, the whole countenance might have been taken for that of a sun-dried corpse had it not been for a pair of large black eyes, still full of fire and intelligence, which gleamed and played under the snow-white eyebrows and the projecting parchment-colored skull, like jewels in a charnel-house. As for the skull itself, it was perfectly bare, and yellow in hue, while its wrinkled scalp moved and contracted like the hood of a cobra.

King Solomon’s Mines