If the earth gradually stopped spinning and was eventually still, the water would be drawn to the polar regions due to the flattened ellipsoid shape of the planet. We’d be left with two polar oceans, an immense “waistband” megacontinent, and a few scattered lakes.
“Pray, sir, be silent!” exclaimed Mr. Aubrey, in a tone that electrified Gammon, who started from his chair. Mr. Aubrey’s face was whitened; his eye glanced lightning at his companion. Dagon-like, Gammon had put forth his hand and touched the ark of Aubrey’s honor. Gammon lost his color, and for, perhaps, the first time in his life, quailed before the majesty of man; ‘twas also the majesty of suffering; for he had been torturing a noble nature.
Ten Thousand A-Year
Geo Herriman was an actual genius. (big)
Earthless – Cherry Red
Rhythms From A Cosmic Sky
This absolutely stunning album is equal parts Don Caballero, Van Halen, and Dead Meadow. The virtuosity on display in the two 21-minute epics making up the rest of the album is ear-breaking. It’s indulgent, insane, and technically impressive — and I’m betting their live shows are bananas. This shorter track encapsulates the sound, but you should really get the whole record to feel the expansiveness of this psych-rock masterpiece.
Seven That Spells – Quetzalcoatl
Future Retro Spasm
My friend Jeremy (who also sent me the excellent Peach Pit) is now in this band, though he didn’t play on this album of wildly kinetic prog. This is the shortest and most succinct of the tracks on the record, which barely gives you time to breathe except during the spacey epic “The Abandoned World of Automata.” Personally, I think it could use a little less horn-wankery, but it’s chock full of ideas and some great sounds — the guitars at 1:25 through 2:06 remind me of the very best of Earthless’ superb Rhythms From A Cosmic Sky. (band site)
