Clifford Beese – The Valley of Romance

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Crocodiles – “She Splits Me Up”
Crimes of Passion

It’s really hard to find anything at all wrong with this song. The bass line is strong and gives tone to the beat, the vocals are pleasantly and fuzzily multitracked, the glittery guitar has the deft precision of a harpsichord. Even the initially atonal opening riff falls exactly into place. True, it doesn’t change much, but neither does it overstay its welcome. A summer jam I’ll be inserting into many a playlist. (insound)

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Gauntlet Hair – “Human Nature”
Stills

Dark electro with a No Age-esque edge. Deserves to be played at high volume, so you get the power of both the dubby backbeat and the noise-rock counterpoint. (insound)

Arnold Böcklin – Spring in a Narrow Gorge

All the elements that make what I write recognizable as mine seem to me a cage that restricts my possibilities. If I were only a hand, a severed hand that grasps a pen and writes… Who would move this hand? The anonymous throng? The spirit of the times? The collective unconscious? I do not know. It is not in order to be the spokesman for something definable that I would like to erase myself. Only to transmit the writable that waits to be written, the tellable that nobody tells.

Italo Calvino – If on a winter’s night a traveler

Carl Gustav Carus – Clouds of Fog in Saxon Switzerland

Vocabulary: Bilious Branglomane Edition

atrabilious: morose, melancholy, or in a like way ill-tempered (from the latin for ‘black bile’)
jonquil: corruption of the bird ‘junco,’ revised to refer to an associated type of narcissus
sough: a rustling or sighing noise; or, to speak or preach whinily; or, a ditch or marsh
mythomane: abbreviation of mythomaniac, similarly graphomane, monomane, etc
imbrangle: also embrangle, to involve in a brangle, a noisy fuss or squabble
afflatus: divine or otherwise miraculous creative inspiration or knowledge
posset: an old cold remedy, spiced milk curdled with beer or wine
bistre: a brownish-yellow pigment derived from wood soot
petroliferous: capable of yielding petroleum, e.g. oil shale
palter: to act or talk carelessly or deceitfully, or to haggle
parclose: a rail or screen dividing parts of a church
cark: care or worry; to carken is to burden

Hauschka – “Paige and Jane”
Youyoume

Delicate yet rich, a piano and cello weave together and create something heart-stopping. This album is short but absolutely exquisite. (serein)

When he arrived at a clearing, he saw a dragon holding a lion by the tail and burning its flanks with its flaming breath. My lord Yvain did not waste time observing this marvel. He asked himself which of the two he would help. Then he determined that he would take the lion’s part, since a venomous and wicked creature deserves only harm: the dragon was venomous, and fire leapt from its mouth because it was so full of wickedness.

Chrétien de Troyes

Álmos Jaschik – Angel above the city, Star Gazers, and Peer Gynt

Oliver Twist (Charles Dickens, 1838)


This classic, while it is by far the poorest book by Dickens I have read, nevertheless somehow endures as one of the author’s most visible and popular works. Perhaps if it were not the first Dickens people were often tasked with reading, they would not develop a dislike towards the man. All its qualities are inferior, and all its flaws deeper, than every other work of his I’ve encountered.

Oliver, to begin with, is a cypher. His only qualities seem to be politeness and naiveté, neither of which seems likely to have emerged naturally in a child raised in the orphanage described. He fails to make any meaningful decision the entire book, acting only as a plot device and nullifying him as something anyone reading should care about — since as a plot device he is more or less immune to harm or influence. The idea of inherent honesty and goodness, always strained in Dickens (and allied to class), reaches the level of nonsensical here.

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He wears a mask, and his face grows to fit it.

George Orwell, Shooting an Elephant

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Houndmouth – “Penitentiary”
From the Hills Beneath the City

This folk-orchestra item impressed me in the car with its resonant chorus harmonies and authentic sounding insertions of “oh mama” and “oh lord.” Not my usual wheelhouse, but a great song is a great song. (insound)

Who can tell how scenes of peace and quietude sink into the minds of pain-worn dwellers in close and noisy places, and carry their own freshness, deep into their jaded hearts! Men who have lived in crowded, pent-up streets, through lives of toil, and who have never wished for change; men, to whom custom has indeed been second nature, and who have come almost to love each brick and stone that formed the narrow boundaries of their daily walks; even they, with the hand of death upon them, have been known to yearn at last for one short glimpse of Nature’s face; and, carried far from the scenes of their old pains and pleasures, have seemed to pass at once into a new state of being. Crawling forth, from day to day, to some green sunny spot, they have had such memories wakened up within them by the sight of the sky, and hill and plain, and glistening water, that a foretaste of heaven itself has soothed their quick decline, and they have sunk into their tombs, as peacefully as the sun whose setting they watched from their lonely chamber window but a few hours before, faded from their dim and feeble sight!

Dickens, Oliver Twist

Miscellaneous heading crests, source obscure

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Lotus Plaza – “Monoliths”
Spooky Action at a Distance

It’s hard to pin down the sound exactly – Jesus & Mary Chain crossed with Women? However you define it, this Deerhunter side project makes solid, fuzzy psych-rock and “Monoliths” is an ebullient nugget of just that. (insound)

Pages from DMT 42 and Duke City Realty, by Galina Golikova, illustrated by Gerald Laing

I only know two sorts of boys. Mealy boys, and beef-faced boys.”

“And which is Oliver?”

“Mealy. I know a friend who has a beef-faced boy; a fine boy, they call him; with a round head, and red cheeks, and glaring eyes; a horrid boy; with a body and limbs that appear to be swelling out of the seams of his blue clothes; with the voice of a pilot, and the appetite of a wolf. I know him! The wretch!

Charles Dickens, Oliver Twist

Yu Chengyao – A song in the clear river