The principal figures before her mind’s eye were — Tittlebat Titmouse, Esquire, and The Rev. Dismal Horror. The latter was about twenty-six (he had been “called to the work of the ministry” in his sixteenth year); short; his face slightly pitted with small-pox; his forehead narrow; his eyes cold and watery; no eyebrows or whiskers; high cheek-bones; his short dark hair combed primly forward over each temple, and twisted into a sort of topknot in front; he wore no shirt-collar, but had a white neck-handkerchief tied very formally, and was dressed in an ill-made suit of black. He spoke in a drawling, canting tone; and his countenance was overspread with a demure expression of — Cunning, trying to look religious.
Thus I progressed on the surface of life, in the realm of words as it were, never in reality. All those books barely read, those friends barely loved, those cities barely visited, those women barely possessed! Then came human beings; they wanted to cling, but there was nothing to cling to, and that was unfortunate — for them. As for me, I forgot. I never remembered anything but myself.
Hark a Vagrant, brilliant as usual
Skygreen Leopards – “Parallel shadows (part 2) – Mad lion (part 7)”
Child God in the Garden of Eden
With the same simple and beautiful instrumentation as “The Heron,” this song, off a lesser-known companion piece to their disappointing (I thought) Life and Love in the Sparrow’s Meadow, channels the same mystical, pastoral beauty of their debut. I have two versions, this being the newer and clearer, but I keep the old version because it has a soft and indistinct quality that I grew to like. Chalk it up to variations in vinyl ripping.
Sometimes I write very long articles.
Black Forest/Black Sea – “These Things”
Forcefields and Constellations
On their earlier self-titled album, Black Forest/Black Sea were more like Rachel’s, but when this album dropped, it was clear they had other things in mind. It’s the strange delvings of Charalambides married to the electronic hammock of Tape. Fully half the tracks are throwaway, but then you get a weird, sparkling gem like “These Things” and you’re reassured that they know what they’re doing.