But as a man of sense you must understand that the way to reconquest cannot be easy. Those who wish no change may sit hugging their scruples forever.

Gene Wolfe, The Claw of the Conciliator

Map of “Marconi’s Radio” by Secret Machines.

tumblr_kxjpti6p8Z1qzv802

Bear in Heaven – “Beast in Peace”
Beast Rest Forth Mouth

It’s true what you’ve heard. This album is pretty great, and the opener is proof of that. They’ve got the vocals and instrumentation down pat, the drums (a non-standard kit) are big as hell, and they’ve got a self-interrupting song structure that really works. Man, the drums in this track really are just off the charts.

The theatre over, they would repair to some cloudy tavern, full of noise and smoke, and the glare of gaslight — redolent of the fragrant fumes of tobacco, gin, and porter, intermingled with the tempting odors of smoking kidneys, mutton-chops, beefsteaks, oysters, stewed cheese, toasted cheese, Welsh rabbits ; where those who are chained to the desk and the counter during the day, revel in the license of the hour, and eat, and drink, and smoke to the highest point either of excitement or stupefaction, and enter into all the slang of the day — of the turf, the ring, the cockpit, the theatres — and shake their sides at comic songs.

Samuel Warren, Ten Thousand A-Year

tumblr_kxd1rch5481qzv802

Arthur & Yu – “1000 words”
In Camera

The shortest song on the album, and possibly the best. Beautiful and straightforward, and perfectly representative of the best these two can do. “Lion’s Mouth” is great as well but this one seems more — I’m not sure, actually. Somewhere between the naivete of innocence and the innocence of naivete. Whatever the case, it’s a wonderful little song.

…at the upper end on the raised dais was a couch of juniper wood set with gems and pearls, with a canopy like mosquito curtains of red satin-silk looped up with pearls as big as filberts and bigger.

Thereupon sat a lady bright of blee, with brow beaming brilliancy, the dream of philosophy, whose eyes were fraught with Babel’s gramarye and her eyebrows were arched as for archery. Her breath breathed ambergris and perfumery and her lips were sugar to taste and carnelian to see. Her stature was straight as the letter l and her face shamed the noon sun’s radiancy; and she was even as a galaxy, or a dome with golden marquetry, or a bride displayed in choicest finery, or a noble maid of Araby.

The third Lady of Baghdad in The Arabian Nights