Really, as far at least as outward appearance and behavior went, there seemed scarcely fifty gentlemen among them; and those appeared ashamed and afraid of their position. ‘Twas, indeed, as though the scum that had risen to the simmering surface of the cauldron placed over the fierce fires of revolutionary ardor had been ladled off and flung on the floor of the House of Commons.

Ten Thousand A-Year

What is difficulty? Only a word indicating the degree of strength requisite for accomplishing particular objects; a mere notice of the necessity for exertion; a bugbear to children and fools; only a mere stimulus to men.

Samuel Warren, Ten Thousand A-Year

Black Heart Procession – “Drugs (Eluvium and Jamuel Saxon remixes)”
Blood Bunny/Black Rabbit

This 14-minute remix forms the last third of this collaboration album, and actually has a lead-in from the previous track. It takes more than four minutes for the first piano chord to hit, so enjoy the Eluvium atmospherics, which strongly remind me of track three from Palmless Prayer/Mass Murder Refrain. The chopped-up Jamuel Saxon portion is kind of incongruous with the long build-up, but it’s an interesting payoff and worth listening to. (insound)

Forget we now our state and lofty birth;
Not titles here, but works, must prove our worth.
To labour is the lot of man below;
And when Jove gave us life, he gave us woe.

The Iliad

What eye has witness’d, or what ear believed,
In one great day, by one great arm achieved,
Such wondrous deeds as Hector’s hand has done,
And we beheld, the last revolving sun?
What honours the beloved of Jove adorn!
Sprung from no god, and of no goddess born;
Yet such his acts, as Greeks unborn shall tell,
And curse the battle where their fathers fell.

The Iliad

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Junior Boys – “Under the Sun”
Last Exit

I’ve never been able to handle a lot of the indie/dance stuff at a time — a few tracks of Ratatat, !!!, Chromeo, and so on is usually enough. So I rarely get to the second half of this Junior Boys album, and forgot about this excellent song. It reminds me of Spoon’s similarly spare and minor-funky “They Never Got You,” though really they sound almost nothing alike. It’s really a lot more like Studio than anything.

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Los Halos – “Reasons To Smile”
Leaving VA

Loud, ebullient, and confident, this is the sound of a band at its best. An anthem for good days and triumphant returns.

I poured out whatever came into my mind, out of a confused company of notes, and writ with as small deliberation as I do ordinarily speak, without all affectation of big words, fustian phrases, jingling terms, tropes, strong lines, that like Acestes’ arrows caught fire as they flew, strains of wit, brave heats, elogies, hyperbolical exornations, elegancies, etc. which many so much affect.

Anatomy of Melancholy

Interview with Julian Assange (Forbes)

Interview with Julian Assange (Forbes)

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Autolux – “Headless Sky”
Transit Transit

While this album doesn’t really live up to the dynamic and creative Future Perfect, it does have some great songs, and this is one of them.

The louder he talked of his honor, the faster we counted our spoons.

Emerson

His face was certainly overcast with anxiety, but his soul was calm and resolute. Having lit his fire, he placed his candle on the table, and, leaning back for a moment in his chair, while the flickering increasing light of his crackling fire and candle revealed to him, with a sense of snugness, his shelves crammed with books, and the windows covered with an ample crimson curtain, effectually excluding the chill morning air — he reflected with a heavy sigh upon the precarious tenure by which he held the little comforts that were left to him. Oh! — thought he — if heaven were but to relieve me from the frightful pressure of liability under which i am bound to the earth, what labor, what privation would I repine at! What gladness would not spring up in my heart!

Ten Thousand A-Year

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Maserati – “Pyramid Of The Sun”
Pyramid Of The Sun

While it’s not actually the opening track (there’s a sort of atmospheric synth intro, “Who Can Find The Beast?”), it has all the characteristics of an opening track — and a damned good one, too. In fact, for the first minute and a half, it’s one of the strongest opening tracks I’ve heard in a long time (the alternate take, “Pyramid Of The Moon,” is more raw but missing that fantastic call-and-response). Their form of spacey instrumental rock is shown off to good effect, but then they kind of lost track of it and twiddle when they should have whaled. Still a great album, though, especially the last two tracks. (temporary residence)

For these men devoted to writing, the library was at once the celestial Jerusalem and an underground world on the border between terra incognita and Hades. They were dominated by the library, by its promises and by its prohibitions. They lived with it, for it, and perhaps against it, sinfully hoping one day to violate all its secrets.

The Name Of The Rose

The Tower Menagerie

“It may, however, be observed that in one point the disposition of the Tiger appears to be more cruel than that of the Lion; inasmuch as it is related, that he is not at all times satisfied with a single victim, but deals forth wholesale destruction, without mercy and without distinction, upon whatever may chance to be within the reach of his murderous talons.”