Charles Robert Cockerell, The Professor’s Dream (1848)
If I wished a boy to know something about the arts and sciences, for instance, I would not pursue the common course, which is merely to send him into the neighborhood of some professor, where anything is professed and practised but the art of life; — to survey the world through a telescope or a microscope, and never with his natural eye; to study chemistry, and not learn how his bread is made, or mechanics, and not learn how it is earned; to discover new satellites to Neptune, and not detect the motes in his eyes, or to what vagabond he is a satellite himself; or to be devoured by the monsters that swarm all around him, while contemplating the monsters in a drop of vinegar. Which would have advanced the most at the end of a month — the boy who had made his own jackknife from the ore which he had dug and smelted, reading as much as would be necessary for this — or the boy who had attended the lectures on metallurgy at the Institute in the meanwhile, and had received a Rodgers’ penknife from his father? Which would be most likely to cut his fingers?
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A creature of good humour and bad company, brave, a spendthrift, prodigal almost to generosity, talkative almost to eloquence, bold almost to effrontery; the best possible devil’s-pie; with fool-hardy waistcoats and scarlet opinions.
The Willowz – “Cons and Tricks”
Talk in Circles
Just some straight-up noisy garage rock. Love the “busy” tone about 2/3rds through. Apparently this was on Jersey Shore? Doesn’t matter, great song.
Reamde (Neal Stephenson, 2011)
Like most Neal Stephenson books, Reamde is unsatisfying. But unlike Anathem, which was unsatisfying because it just barely missed following through on a powerful and fascinating premise, Reamde is unsatisfying because it aims so low. It is a surprisingly unambitious and overstuffed series of procedurals that has you waiting for a payoff that never comes. Page by page it is enjoyable, but around 900 of the 1040 pages are enjoyable in more or less the same way, and you reach saturation long before they run out; the remaining 140 pages are essentially irrelevant navel-gazing.
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Lead Belly – “Black Betty”
Negro Sinful Songs
After hearing the 1977 Ram Jam version of this song, I was curious about its origins. Turns out it dates back to at least 1933 (almost certainly decades before), but was first commercially recorded by Lead Belly in 1939. Betty herself seems to be everything but a trouble-ridden woman; “Black Betty” is said to refer to a whip used in prisons, or the black wagon used to transport prisoners, or (as early as 1736, noted by Benjamin Franklin) a bottle of whiskey.