Ghosts and Vodka – “Futuristic Genitalia”
Addicts & Drunks
I’m not sure how to categorize this instrumental guitar play-date, but I love it anyway.
microlawns
“Grand Piano keystone type, about 7 feet in length. Asexual in disposition, it serves as a pleasant-enough nap area for two toddlers curled in fetal position.”
Stills from North By Northwest
Literature, like virtue, is its own reward, and the enthusiasm some experience in the permanent enjoyments of a vast library, have far outweighed the neglect or the calumny of the world, which some of its votaries have received. From the time that Cicero poured forth his feelings in his oration for the poet Archias, innumerable are the testimonies of men of letters of the pleasurable delirium of their researches; that delicious beverage which they have swallowed, so thirstily, from the magical cup of literature.
D’Israeli, Curiosities of Literature
Voltron Opening Theme (no narration)
A break from the usual. This one lacks the opening narration (“This… is the story… of the super force… of space explorers”) and lets you focus on the sweet horn breaks.
Post-Moon immigration form
posts from this week
Creation Myth: Xerox PARC, Apple, and the truth about innovation
Creation Myth: Xerox PARC, Apple, and the truth about innovation
So was what Jobs took from Xerox the idea of the mouse? Not quite, because Xerox never owned the idea of the mouse. The PARC researchers got it from the computer scientist Douglas Engelbart, at Stanford Research Institute, fifteen minutes away on the other side of the university campus. Engelbart dreamed up the idea of moving the cursor around the screen with a stand-alone mechanical “animal” back in the mid- nineteen-sixties. His mouse was a bulky, rectangular affair, with what looked like steel roller-skate wheels. If you lined up Engelbart’s mouse, Xerox’s mouse, and Apple’s mouse, you would not see the serial reproduction of an object. You would see the evolution of a concept.
