I really believe some people save their bright thoughts, as being too precious for conversation. What do you think an admiring friend said the other day to one that was talking good things, — good enough to print? “Why,” said he, “you are wasting merchantable literature, a cash article, at the rate, as nearly as I can tell, of fifty dollars an hour.” The talker took him to the window and asked him to look out and tell what he saw.
   "Nothing but a very dusty street,“ he said, "and a man driving a sprinkling-machine through it.”
   "Why don’t you tell the man he is wasting that water? What would be the state of the highways of life, if we did not drive our thought-sprinklers through them with the valves open, sometimes?

Oliver Wendell Holmes, Autocrat

And now flutes with many stops breathed forth in sweet accord a Lydian air. But though their strains charmed the hearts of the spectators with their sweetness, Venus was sweeter far; and she began to move gently and to advance with slow and lingering step and body lightly swaying to and fro and softly bowing head, and with delicate gestures she kept time to the sound of the flutes and made signs with eyes now mildly closed, now flashing threats, and sometimes all her dancing was in her glances.

Apuleius, Metamorphoses

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The Microphones – “I’ll Be in the Air”
Don’t Wake Me Up

Early Phil Elvrum is occasionally hard to tell apart form late-era Phil Elvrum. In this case the pensive vocals and roiling guitars could have come from practically any of his projects and albums. It is in fact from 1999’s Don’t Wake Me Up, part of a very fertile period in his songwriting career. I can’t tell if that’s Mirah singing backup, but it’s possible.

On the whole, I had rather judge men’s minds by comparing their thoughts with my own, than judge of thoughts by knowing who utter them.

Oliver Wendell Holmes, Autocrat of the Breakfast-Table

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Lowcloudcover – “Skeleton Key”
Separation Anxiety

Confident, competent, and well-produced, this Lowcloudcover album sounds great but not particularly original. But reliably good, slightly-extended (all but two of the songs clock in between five and six minutes) psych-rock is surprisingly difficult to find and this is a fertile source. They must also be given extra credit for actually using the bass rather than letting it slog along deep in the low end.

He swoops all-conquering, borne on airy wing,
With fire and sword he makes his harvesting;
Trembles before him Jove, whom gods do dread,
And quakes the darksome river of the dead.

Apuleius, Metamorphoses

Some things are rushing into existence, others hastening to dissolution; and of those which now exist, some parts are already flown off and vanished. The world is renewed by continual change and fluctuation, as time is by perpetual succession. Who then would set any great value on things thus floating down the stream, and of which we cannot for a moment secure the possession? One might as well love a sparrow, which flies by us and is instantly gone out of sight. Such is the life of every man; a mere vapor exhaled from the blood; a momentary breath of air, drawn in by the lungs.

Marcus Aurelius, Meditations

Jonsi & Alex – “Stokkseyri”
Riceboy Sleeps

A rich, contemplative soundscape that manages to faultlessly merge digital and organic tones. Perhaps closest to Sigur Ros’s ( ), but more subdued and blue-grey. (insound)

The first among elegances is idleness.

Les Miserables

Fata morgana

Fata morgana

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Olivia Tremor Control – “Holiday Surprise”
Dusk At Cubist Castle

Despite their sound being more ether-soaked psychedelia on this record than the sharp, more abstract Black Foliage, OTC were plenty ambitious with this album. With multiple multiple-part tracks and an entire optional “background” track on a separate CD, this was straight up concept work. But with solid songwriting and an sound that changes so often you can’t help but pay attention, you can take the concept or leave it and it’s still a great record.