I really believe some people save their bright thoughts, as being too precious for conversation. What do you think an admiring friend said the other day to one that was talking good things, — good enough to print? “Why,” said he, “you are wasting merchantable literature, a cash article, at the rate, as nearly as I can tell, of fifty dollars an hour.” The talker took him to the window and asked him to look out and tell what he saw.
"Nothing but a very dusty street,“ he said, "and a man driving a sprinkling-machine through it.”
"Why don’t you tell the man he is wasting that water? What would be the state of the highways of life, if we did not drive our thought-sprinklers through them with the valves open, sometimes?
Moby Dick – Gustav Rehberger
Giovanni Battista Nazari, 1564
And now flutes with many stops breathed forth in sweet accord a Lydian air. But though their strains charmed the hearts of the spectators with their sweetness, Venus was sweeter far; and she began to move gently and to advance with slow and lingering step and body lightly swaying to and fro and softly bowing head, and with delicate gestures she kept time to the sound of the flutes and made signs with eyes now mildly closed, now flashing threats, and sometimes all her dancing was in her glances.
Page 1: Great Expectations
The Microphones – “I’ll Be in the Air”
Don’t Wake Me Up
Early Phil Elvrum is occasionally hard to tell apart form late-era Phil Elvrum. In this case the pensive vocals and roiling guitars could have come from practically any of his projects and albums. It is in fact from 1999’s Don’t Wake Me Up, part of a very fertile period in his songwriting career. I can’t tell if that’s Mirah singing backup, but it’s possible.
Life in Life
On the whole, I had rather judge men’s minds by comparing their thoughts with my own, than judge of thoughts by knowing who utter them.
Lowcloudcover – “Skeleton Key”
Separation Anxiety
Confident, competent, and well-produced, this Lowcloudcover album sounds great but not particularly original. But reliably good, slightly-extended (all but two of the songs clock in between five and six minutes) psych-rock is surprisingly difficult to find and this is a fertile source. They must also be given extra credit for actually using the bass rather than letting it slog along deep in the low end.
Go Right
Holi – the Hindu color festival, in slow motion
He swoops all-conquering, borne on airy wing,
With fire and sword he makes his harvesting;
Trembles before him Jove, whom gods do dread,
And quakes the darksome river of the dead.
Earthereal, assembled from high-resolution images taken from the ISS
Some things are rushing into existence, others hastening to dissolution; and of those which now exist, some parts are already flown off and vanished. The world is renewed by continual change and fluctuation, as time is by perpetual succession. Who then would set any great value on things thus floating down the stream, and of which we cannot for a moment secure the possession? One might as well love a sparrow, which flies by us and is instantly gone out of sight. Such is the life of every man; a mere vapor exhaled from the blood; a momentary breath of air, drawn in by the lungs.
Jonsi & Alex – “Stokkseyri”
Riceboy Sleeps
A rich, contemplative soundscape that manages to faultlessly merge digital and organic tones. Perhaps closest to Sigur Ros’s ( ), but more subdued and blue-grey. (insound)
The first among elegances is idleness.
Fata morgana



Fata Morgana is a type of mirage that occurs when a layer of cold air bends light downwards, creating a superior-image effect and making it look as though what is below one’s line of sight is actually above it. The name is derived from the superstition that Morgan Le Fey created illusionary castles at sea with which to seduce sailors. More information here and here. (The images above are extremely inaccurate)
Olivia Tremor Control – “Holiday Surprise”
Dusk At Cubist Castle
Despite their sound being more ether-soaked psychedelia on this record than the sharp, more abstract Black Foliage, OTC were plenty ambitious with this album. With multiple multiple-part tracks and an entire optional “background” track on a separate CD, this was straight up concept work. But with solid songwriting and an sound that changes so often you can’t help but pay attention, you can take the concept or leave it and it’s still a great record.
















