I entered a little room, with a flaring paper, of the largest pattern, on the walls. Chairs, tables, cheffonier, and sofa, all gleamed with the glutinous brightness of cheap upholstery. On the largest table, in the middle of the room, stood a smart Bible, placed exactly in the centre, on a red and yellow woollen mat; and at the side of the table nearest to the window, with a little knitting-basket on her lap, and a weezing, blear-eyed old spaniel crouched at her feet, there sat an elderly woman, wearing a black net cap and a black silk gown, and having slate-coloured mittens on her hands. Her iron-grey hair hung in heavy bands on either side of her face; her dark eyes looked straight forward, with a hard, defiant, implacable stare. She had full square cheeks, a long, firm chin, and thick, sensual, colourless lips. Her figure was stout and sturdy, and her manner aggressively self-possessed. This was Mrs. Catherick.

The Woman In White

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Dirty Beaches – “Sweet 17”
Badlands EP

This music sounds like “you have to be there” music — kind of the way I loved seeing Les Savy Fav live but don’t really enjoy their albums. But I can imagine being in some hot, dark venue and having this guy just hit this demented surf groove for all he’s worth, and everyone in the place just going nuts, though they’ll be unable to recall why afterwards. (insound)

Seeking to avoid Scylla, they fall into Charybdis.

Anatomy of Melancholy

Opposite to exercise is idleness (the badge of gentry) or want of exercise, the bane of body and mind, the nurse of naughtiness, stepmother of discipline, the chief author of all mischief, one of the seven deadly sins, and a sole cause for this an many other maladies, the devil’s cushion, as Gualter calls it, his pillow and chief reposal.

Anatomy of Melancholy

William Shakespeare Burton – “The Wounded Cavalier (The English Civil War)”

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Lia Ices – “Daphne”
Grown Unknown

I still haven’t heard the rest of this album because I can’t get past this song. It’s like a hybrid of the best parts of Joanna Newsom, Bon Iver, and Fleetwood Mac. I’m not messing with you. It’s really, really good. Whoever produced this should get a medal. Also: I have no idea whether this is popular already or not. (insound)

Songs:Ohia – “Hold On Magnolia”
Magnolia Electric Co.

Long known for his stark, dark compositions using little more than guitar and his voice (such as Pyramid Electric Co.), Jason Molina really only made use of a full band starting with this album, which he later retconned, if you will, from a Songs:Ohia album to a Magnolia Electric Co. album. This, the last song, is also the best, and although the rest of the album is good, this one stands out in dusty, lonesome grandeur. (insound)

Plaque on the moon commemorating astronauts and cosmonauts who died in the line of duty (NASA)

If, in conformity to right reason, you transact whatever affairs you have in hand with attention, steadiness, and benevolence, and without suffering any thing foreign to your present purpose to interfere, you pay the same deference to the divine monitor within you, as if you were the next moment to part for ever; if you can thus persevere, inattentive to any thing further, and without shrinking from any difficulty, and act with simplicity and energy, according to the nature of the present business, with an heroic regard to truth in all your words; you will thus secure a happy life.

It is not in the power of any one to prevent your acting thus.

Marcus Aurelius, Meditations

Although you should live three thousand or three myriads of years, yet observe, that no man when he dies loses any more than that instant portion of time in which he then lived; and that he only lives that moment of life which he is constantly losing; so that the longest and the shortest life, in this view, come to the same thing. For the present time is equal to every one, though that which is past may have been unequal.
   But, as the portion of life which we lose at our death is a mere point or instant, it appears from hence, that no one can lose either what is past or what is future. For how can he lose what he does not possess?

Marcus Aurelius, Meditations

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Disasterpeace – “Ensis”
Rise of the Obsidian Interstellar

Caution: chiptune. I decided to check this guy’s albums out after I saw he provided the interesting background music for the Fez trailer (and will score the game) – and it turns out he’s awesome. I don’t listen to a lot of chiptunes as a rule, but this and his previous album Level are just too awesome to pass up. They’ve got the slow-build and powerful instrumental payoff of post-rock and prog, all through this fantastic chiptune lens. “Ensis” follows a primer track (“Beta’s Brilliancy”) that sets up its massive seven-minute travels, which are equal parts Daft Punk and Mega Man. This is the original, pure product that winds up being cut with commercial productions and sold as pop music. I like mine unadulterated. (more info)

If he wants to keep a whole skin on his bones, I recommend him not to come back in a hurry.

The Woman In White

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My Education – “A Man Alone”
Sunrise

Sometimes, when you discover an incredible sound as a musician, you can’t help but build an entire song around it. This is certainly the case with “A Man Alone,” which doesn’t travel so much as just layer and intensify that shocking guitar sound, or whatever it is, sending shivers up my spine.

But I am over-tedious in these toys, which howsoever, in some men’s too severe censures, they may be held absurd and ridiculous, I am the bolder to insert, as not borrowed from circumforanean rogues and gipsies, but out of the writings of some worthy philosophers and physicians, yet living some of them, and religious professors in famous universities, who are able to patronize that which they have said, and vindicate themselves from all cavillers and ignorant persons.

Anatomy of Melancholy