Cornelius Gemma, lib. 2 de nat. mirac. cap. 4, related of a young maid, called Katherine Gualter, a cooper’s daughter, anno 1571, that had such strange passions and convulsions, three men could not sometimes hold her; she purged a live eel, which he saw, a foot and a half long, and touched himself; but the eel afterwards vanished; she vomited some twenty-four pounds of fulsome stuff of all colours, twice a day for fourteen days; and after that she voided great balls of hair, pieces of wood, pigeon’s dung, parchment, goose dung, coals; and after them two pound of pure blood, and then again colas and stones, of which some had inscriptions, bigger than a walnut, some of them pieces of glass, brass, etc., besides paroxysms of laughing, weeping and ecstasies, etc. Et hoc (inquit) cum horrore vidi, “this I saw with horror.” They could do no good on her by physic, but left her to the clergy.
The more fool you,“ Gerard replied, "If you continue this madness, you’ll never amount to anything, and do nothing but moon and fritter away your time. Your life will wither like green grass in a hot furnace, and you’ll be your own murderer, without ever having known any pleasure.
How blind to beliefs should employers be?
How blind to beliefs should employers be?
Richard Dawkins: “My colleague takes the view that this [young-earth creationist] is entitled to a job as a professor of astronomy, because he keeps his private beliefs to himself while at work. I take the opposite view. I would object to employing him, on the grounds that his research papers, and his lectures to students, are filled with what he personally believes to be falsehoods. He is a fake, a fraud, a charlatan, drawing a salary for a job that could have gone to an honest astronomer. Moreover, I would regard his equanimity in holding two diametrically opposing views simultaneously in his head as a revealing indicator that there is something wrong with his head.”
The Dismemberment Plan – “Crush”
Split EP w/ Juno
This deconstruction of the original pop song by Jennifer Paige is, in a way, a precursor to the slowed-down Bieber of memedom. Changing the instrumentation and tempo to let the melody breathe makes for a completely different song.
Revolt of the Elites
“The mark of superior people, in Ortega’s sense, is that they consider themselves inferior to what they may become. Self-improvement, for all that it smacks of the self-help shelf at Barnes & Noble, is also, in this way, the rallying cry of the only kind of elite worth having.
…
The resentful right, under the banner — hoisted alike by Beck, Huckabee, and Palin — of common sense, flatters deprivation as wisdom by implying to the uneducated that an education isn’t worth having. The violence this bigoted proposition has done to the talents and capacities of millions of people is incalculable, unforgivable.”
Here were grounds for abundance of savage elation. But there was also the deep-seated hatred of half a life of mutual and persistent aggression and revilings; and Handsome Charlie was capable of nursing a grudge, and enjoying a revenge with his whole heart.
final space shuttle mission launches June 20
(via Aqua-Velvet)
Vocabulary: I Am Errour Edition
metonymy: figure of speech in which a concept is replaced by a related object (“the crown”)
synteresis: innate moral knowledge. In Christianity, the part of the soul connected with god
ecpyrosis: the periodic destruction and recreation of the universe (ancient Greek belief)
pother: a commotion, heated discussion, or suffocating cloud (as of dust or ash)
defalcation: misappropriation of property (or the property so misappropriated)
simoniacal: guilty of practicing simony (profiting from ecclesiastical matters)
ascesis: self-discipline, often for religious purposes (var. askesis)
chasuble: a Catholic, sleeveless liturgical garment
ydrad: the state of being dreaded (middle English)
furze: “any spiny shrub of the genus Ulex.” Gorse.
hebetude: lazy or lethargic in mind or affect
inanation: exhaustion; lack of vigor or spirit
jape: a joke or mockery (v./n.)
ambulant: itinerant or shifting
brume: mist or fog
I have trouted, when the brook was so low, and the sky so hot, that I might as well have thrown my fly upon the turnpike; and I have hunted hare at noon, and woodcock in snowtime—never despairing, scarce doubting; but for a poor hunter of his kind, without traps or snares, or any aid of police or constabulary, to traverse the world, where are swarming, on a moderate computation, some three hundred and odd millions of unmarried women, for a single capture—irremediable, unchangeable—and yet a capture which by strange metonymy, not laid down in the books, is very apt to turn captor into captive and make game of hunter—all this, surely, surely may make a man shrug with doubt!
DNTEL – “Why I’m So Unhappy”
Life Is Full Of Possibilities
A beautiful track from a very interesting album. Most know DNTEL now as one half of The Postal Service, and indeed, “The Dream of Evan and Chan” from this album was the first (and best) of that fruitful collaboration. But “Why I’m So Unhappy” is more delicate and understated, allowing time for both the tripping beats and noise-play that mark earlier DNTEL to show at their own pace. (insound)
She had a cousin in the Life Guards, with such long legs that he looked like the afternoon shadow of somebody else.
in almost every picture #9

A book about how difficult it is to photograph a black dog.
Good to know
But those were times when, to forget an evil world, grammarians took pleasure in abstruse questions. I was told that in that period, for fifteen days and fifteen nights, the rhetoricians Gabundus and Terentius argued on the vocative of ‘ego,’ and in the end they attacked each other, with weapons.
At all events it quite satisfied what he called his conscience.
Underworld enemies
Sir Richard Bishop – “Al Darazi”
Salvador Kali
This guy is best known for his dynamic, improvisational guitar playing, most impressively on Fingering The Devil. But on this older album, he takes a piano break and creates a piece that’s.. pretty much the same thing but on piano. But I love it and there’s a lo-fi warmth to this recording that makes it sound like a record from the 30s.














