What, unless biological science is a mass of errors, is the cause of human intelligence and vigour? Hardship and freedom: conditions under which the active, strong, and subtle survive and the weaker go to the wall; conditions that put a premium upon the loyal alliance of capable men, upon self-restraint, patience, and decision. And the institution of the family, and the emotions that arise therein, the fierce jealousy, the tenderness for offspring, parental self-devotion, all found their justification and support in the imminent dangers of the young. Now, where are these imminent dangers? There is a sentiment arising, and it will grow, against connubial jealousy, against fierce maternity, against passion of all sorts; unnecessary things now, and things that make us uncomfortable, savage survivals, discords in a refined and pleasant life.
Kepler – “The Changing Light At Sandover”
Fuck Fight Fail
While their follow-up to this album, Missionless Days, is a quiet masterpiece, this one is far more ambitious and their sound expansive enough on it to rival Mogwai and Explosions In The Sky. But somehow it remains intimate. Past the first couple minutes of crashing intro, this is a remarkably delicate song. The same can be said for the other long track on this album, “Upper Canada Fight Song,” which has an even more Mogwai-esque closer. (insound)
Their targets in a tortoise cast, the foes,
Secure advancing, to the turrets rose:
Some mount the scaling ladders; some, more bold,
Swerve upwards, and by posts and pillars hold;
Their left hand grips their bucklers in th’ ascent,
While with their right they seize the battlement.
From their demolish’d tow’rs the Trojans throw
Huge heaps of stones, that, falling, crush the foe;
And heavy beams and rafters from the sides
(Such arms their last necessity provides)
And gilded roofs, come tumbling from on high,
The marks of state and ancient royalty.
He was the Kind of Fellow who would see a Girl twice, and then, upon meeting her the Third Time, he would go up and straighten her Cravat for her, and call her by her First Name.
Macha – “Calming Passengers”
Forget Tomorrow
The synth-rock Macha creates is usually poppy and forgettable (not in a bad way), but they occasionally exhibit just a fantastic ear for sound. The ripples constituting the waves of sound lapping along in this song are superbly matched, and the overall rhythm, while not dancey, is difficult not be become caught up in.
But men labor under a mistake. The better part of the man is soon plowed into the soil for compost. By a seeming fate, commonly called necessity, they are employed, as it says in an old book, laying up treasures which moth and rust will corrupt and thieves break through and steal. It is a fool’s life, as they will find when they get to the end of it, if not before. It is said that Deucalion and Pyrrha created men by throwing stones over their heads behind them:
Inde genus durum sumus, experiensque laborum,
Et documenta damus qua simus origine nati.Or, as Raleigh rhymes it in his sonorous way,
"From thence our kind hard-hearted is, enduring pain and care,
Approving that our bodies of a stony nature are.“So much for a blind obedience to a blundering oracle, throwing the stones over their heads behind them, and not seeing where they fell.
Bridge de Sant Roc
Gravenhurst – “Song Of The Summoning”
Internal Travels
It’s difficult to choose between Gravenhurst’s rich Flashlight Seasons and the delicate, straightforward Internal Travels. Fortunately, you don’t have to. They’re both great, and the latter is packed with songs like this one, unassuming yet melancholy, but without a hint of preciousness.
He flew out of his chair with deadly, inconceivable terror clutching at his heart. The shape, whose left hand rested on the table, was rising to a standing posture behind his seat, its right hand crooked above his scalp. There was black and tattered drapery about it; the coarse hair covered it as in the drawing. The lower jaw was thin—what can I call it ?—shallow, like a beast’s ; teeth showed behind the black lips ; there was no nose ; the eyes, of a fiery yellow, against which the pupils showed black and intense, and the exulting hate and thirst to destroy life which shone there, were the most horrifying feature in the whole vision.
set fire to flames – “steal compass/drive north/disappear”
sings reign rebuilder
An album with a story, and a few actually great songs. The tender opening strains in “I will be true” recall the quiet sections of Godspeed’s earlier albums, and tracks like this one have the power of their more operatic tracks without the fluff.
Unit 731
Rainbow ants
Canaletto sketches using camera obscura
For many Summers he would come Home, one Evening after Another, with his Collar melted, and tell his Wife that the Giants made the Colts look like a lot of Colonial Dames playing Bean Bag in a Weedy Lot back of an Orphan Asylum, and they ought to put a Trained Nurse on Third, and the Dummy at Right needed an Automobile, and the New Man couldn’t jump out of a Boat and hit the Water, and the Short-Stop wouldn’t be able to pick up a Ball if it was handed to him on a Platter with Water Cress around it, and the Easy One to Third that ought to have been Sponge Cake was fielded like a One-Legged man with St. Vitus dance trying to do the Nashville Salute.
Volta Do Mar – “The Sound of Day”
At The Speed of Light or Day
This introductory track to an interesting, slightly math-y instrumental album was one of the tracks that made me give a little more credit to bands who seem to value harmony but choose dissonance. Here was a track that so clearly lived in both worlds that I couldn’t help but be patient and just listen.
When you are drowsy in a morning, and find a reluctance to getting out of your bed, make this reflection with yourself: ‘I must rise to discharge the duties incumbent on me as a man.’
‘And shall I do with reluctance what I was born to do, and what I came into the world to do?’ What! was I formed for no other purpose than to lie sunk in down, and indulge myself in a warm bed? —’But a warm bed is comfortable and pleasant,’ you will say. —Were you born then only to please yourself; and not for action, and the exertion of your faculties?
Do you not see the very shrubs, the sparrows, the ants, the spiders, and the bees, all busied, and in their several stations cooperating to adorn the system of the universe? And do you alone refuse to discharge the duties of man, instead of performing with alacrity the part allotted you by nature?




















