We are in great haste to construct a magnetic telegraph from Maine to Texas; but Maine and Texas, it may be, have nothing important to communicate. As if the main object were to talk fast and not to talk sensibly. We are eager to tunnel under the Atlantic and bring the Old World some weeks nearer to the New; but perchance the first news that will leak through into the broad, flapping American ear will be that the Princess Adelaide has the whooping cough. After all, the man whose horse trots a mile in a minute does not carry the most important messages.

Thoreau, Walden

Light keeper at Coast and Geodetic Survey camp, Alaska c. 1923

The War of the Worlds (H.G. Wells, 1898)

The War Of The Worlds is, most importantly, a book about the dangers of complacency. While Wells’ imagination and knack for a rolling narrative are worth applauding any day, the book is not at its heart a heroic adventure. Like The Time Machine, it is a warning. In that book he caricatured the erosion of humanity’s most important qualities; in this one, his message is more direct: the road of complacency leads to destruction – destruction of the literal and immediate variety.

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Raising the Fawn – “Drownded”
The North Sea

While parts of this album stray into the falsetto melancholy of bands like Aereogramme and For Stars, the meaty guitar and willingness to extend their songs into epic territory (at 11:11, this is the longest on the album but not by far) make Raising the Fawn a bit more exciting. “Drownded” covers a lot of ground, or water as it were, and while it leaves plenty of space to breathe, it never gets boring and the songwriting is just plain solid.

I would rather sit on a pumpkin and have it all to myself, than be crowded on a velvet cushion.

Thoreau, Walden

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Tape – “Switchboard Fog”
Milieu

Crickets don’t chirp, nor birds sing, to a score. There is no conductor. Perhaps that’s why Tape’s haphazard harmonies and pastoral noodling are so compelling. They lack the exactitude of produced music. This track and others on Milieu, their best album, are less like songs and more like a dawn chorus of guitars, keyboards, and bells.

Vocabulary: Touch Of Turf Edition

synarchy: a “joint rule” form of government, now with conspiratorial connotations
cicatrix: new tissue over a wound, or the scar left on a plant by a fallen leaf
ordure: excrement, or figuratively speaking, an offensive action
demiurge: creator of the universe, not necessarily God
amatory: expressive of, pertaining to, or inciting love
greensward: grassy turf or an area covered in such
halitus: a breath, exhalation, or vapor in general
etiolate: to drain of color or vigor, esp. plants
mansuetude: mildness or gentleness
scintilla: a trace, particle, or spark
ruction: a din or disturbance
wain: a wagon or cart

The neighbourhood was a dreary one at that time; as oppressive, sad, and solitary by night, as any about London. There were neither wharves nor houses on the melancholy waste of road near the great blank Prison. A sluggish ditch deposited its mud at the prison walls. Coarse grass and rank weeds straggled over all the marshy land in the vicinity. In one part, carcases of houses, inauspiciously begun and never finished, rotted away. In another, the ground was cumbered with rusty iron monsters of steam-boilers, wheels, cranks, pipes, furnaces, paddles, anchors, diving-bells, windmill-sails, and I know not what strange objects, accumulated by some speculator, and grovelling in the dust, underneath which – having sunk into the soil of their own weight in wet weather – they had the appearance of vainly trying to hide themselves.

David Copperfield

But lo! men have become the tools of their tools.

Thoreau, Walden

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Tarentel – “Two Sides Of Myself (pt. 1)”
Ephemera

A shimmery exhalation from this variable band’s collection of singles. Like taking a slow boat through a tunnel of stars. And also, you’re drunk.

Nothing ever befals any one, but what it is in his power to bear. The same misfortunes happen to others, who, either through ignorance or insensibility, or from an ostentatious magnanimity, have stood firm, and apparently free from grief or perturbation.

Now, is it not shameful that ignorance or vanity should display more fortitude than all our prudence and philosophy?

Marcus Aurelius, Meditations