The soundest fact may fail or prevail in the style of its telling: like that singular organic jewel of our seas, which grows brighter as one woman wears it and, worn by another, dulls and goes to dust. Facts are no more solid, coherent, round, and real than pearls are. But both are sensitive.

Ursula K. LeGuin, The Left Hand of Darkness

It makes your sin no worse, as I conceive, to do it a la mode

The Prisoner of Zenda

Heading South so I can go North
Guided by birds but drifting off course
Read the tide-table before starting out
But 30 years old with chapters torn out
You, waking up from a dream of the sea
Safe in the harbour from sailors like me
You, in the kitchen, waiting on tea
Whilst I lose the compass to a trick of the sea

Piano Magic, “A Trick Of The Sea”
(sounds like a shanty!)

I did not usurp the crown. I found it — in the gutter.

Napoleon, in Waterloo (probably not a real quote)

I am growing great in Latin verses, and neglect the laces of my boots.

Dickens, David Copperfield

Try to preserve an author’s style as if he is an author and has a style.

Wolcott Gibbs, “Theory and Practice of Editing New Yorker Articles”

What happiness (I thought) if we were married, and were going away anywhere to live among the trees and in the fields, never growing older, never growing wiser, children over, rambling hand in hand through sunshine and among flowery meadows, laying down our heads on moss at night, in a sweet sleep of purity and peace, and buried by the birds when we were dead!

Dickens, David Copperfield

Poor Traddles! In a tight sky-blue suit that made his arms and legs like German sausages, or roly-poly puddings, he was the merriest and most miserable of all the boys. He was always being caned—I think he was caned every day that half-year, except one holiday Monday when he was only ruler’d on both hands—and was always going to write to his uncle about it, and never did. After laying his head on the desk for a little while, he would cheer up, somehow, begin to laugh again, and draw skeletons all over his slate, before his eyes were dry. I used at first to wonder what comfort Traddles found in drawing skeletons; and for some time looked upon him as a sort of hermit, who reminded himself by those symbols of mortality that caning couldn’t last for ever. But I believe he only did it because they were easy, and didn’t want any features.

Dickens, David Copperfield

She brought with her two uncompromising hard black boxes, with her initials on the lids in hard brass nails. When she paid the coachman she took her money out of a hard steel purse, and she kept the purse in a very jail of a bag which hung upon her arm by a heavy chain, and shut up like a bite. I had never, at that time, seen such a metallic lady altogether as Miss Murdstone was.

Dickens, David Copperfield