Raising the Fawn – “Drownded”
The North Sea

While parts of this album stray into the falsetto melancholy of bands like Aereogramme and For Stars, the meaty guitar and willingness to extend their songs into epic territory (at 11:11, this is the longest on the album but not by far) make Raising the Fawn a bit more exciting. “Drownded” covers a lot of ground, or water as it were, and while it leaves plenty of space to breathe, it never gets boring and the songwriting is just plain solid.

I would rather sit on a pumpkin and have it all to myself, than be crowded on a velvet cushion.

Thoreau, Walden

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Tape – “Switchboard Fog”
Milieu

Crickets don’t chirp, nor birds sing, to a score. There is no conductor. Perhaps that’s why Tape’s haphazard harmonies and pastoral noodling are so compelling. They lack the exactitude of produced music. This track and others on Milieu, their best album, are less like songs and more like a dawn chorus of guitars, keyboards, and bells.

Vocabulary: Touch Of Turf Edition

synarchy: a “joint rule” form of government, now with conspiratorial connotations
cicatrix: new tissue over a wound, or the scar left on a plant by a fallen leaf
ordure: excrement, or figuratively speaking, an offensive action
demiurge: creator of the universe, not necessarily God
amatory: expressive of, pertaining to, or inciting love
greensward: grassy turf or an area covered in such
halitus: a breath, exhalation, or vapor in general
etiolate: to drain of color or vigor, esp. plants
mansuetude: mildness or gentleness
scintilla: a trace, particle, or spark
ruction: a din or disturbance
wain: a wagon or cart

The neighbourhood was a dreary one at that time; as oppressive, sad, and solitary by night, as any about London. There were neither wharves nor houses on the melancholy waste of road near the great blank Prison. A sluggish ditch deposited its mud at the prison walls. Coarse grass and rank weeds straggled over all the marshy land in the vicinity. In one part, carcases of houses, inauspiciously begun and never finished, rotted away. In another, the ground was cumbered with rusty iron monsters of steam-boilers, wheels, cranks, pipes, furnaces, paddles, anchors, diving-bells, windmill-sails, and I know not what strange objects, accumulated by some speculator, and grovelling in the dust, underneath which – having sunk into the soil of their own weight in wet weather – they had the appearance of vainly trying to hide themselves.

David Copperfield

But lo! men have become the tools of their tools.

Thoreau, Walden

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Tarentel – “Two Sides Of Myself (pt. 1)”
Ephemera

A shimmery exhalation from this variable band’s collection of singles. Like taking a slow boat through a tunnel of stars. And also, you’re drunk.

Nothing ever befals any one, but what it is in his power to bear. The same misfortunes happen to others, who, either through ignorance or insensibility, or from an ostentatious magnanimity, have stood firm, and apparently free from grief or perturbation.

Now, is it not shameful that ignorance or vanity should display more fortitude than all our prudence and philosophy?

Marcus Aurelius, Meditations

What, unless biological science is a mass of errors, is the cause of human intelligence and vigour? Hardship and freedom: conditions under which the active, strong, and subtle survive and the weaker go to the wall; conditions that put a premium upon the loyal alliance of capable men, upon self-restraint, patience, and decision. And the institution of the family, and the emotions that arise therein, the fierce jealousy, the tenderness for offspring, parental self-devotion, all found their justification and support in the imminent dangers of the young. Now, where are these imminent dangers? There is a sentiment arising, and it will grow, against connubial jealousy, against fierce maternity, against passion of all sorts; unnecessary things now, and things that make us uncomfortable, savage survivals, discords in a refined and pleasant life.

H.G. Wells, The Time Machine

Kepler – “The Changing Light At Sandover”
Fuck Fight Fail

While their follow-up to this album, Missionless Days, is a quiet masterpiece, this one is far more ambitious and their sound expansive enough on it to rival Mogwai and Explosions In The Sky. But somehow it remains intimate. Past the first couple minutes of crashing intro, this is a remarkably delicate song. The same can be said for the other long track on this album, “Upper Canada Fight Song,” which has an even more Mogwai-esque closer. (insound)

Their targets in a tortoise cast, the foes,
Secure advancing, to the turrets rose:
Some mount the scaling ladders; some, more bold,
Swerve upwards, and by posts and pillars hold;
Their left hand grips their bucklers in th’ ascent,
While with their right they seize the battlement.
From their demolish’d tow’rs the Trojans throw
Huge heaps of stones, that, falling, crush the foe;
And heavy beams and rafters from the sides
(Such arms their last necessity provides)
And gilded roofs, come tumbling from on high,
The marks of state and ancient royalty.

Dryden’s Æneid

He was the Kind of Fellow who would see a Girl twice, and then, upon meeting her the Third Time, he would go up and straighten her Cravat for her, and call her by her First Name.

George Ade, Fables In Slang