Helvetia’s Dream – a captivating time-lapse video of Switzerland. Love the meteor at 0:46.

Wye Oak – “Talking About Money”
The Knot

It’s uncommon that I’m exposed to an artist through their latest album, but then find I prefer their earlier work — especially when the latest album is as good as Wye Oak’s Civilian. But The Knot does everything Civilian does, with more variety, grandeur, and power in general. From the setup and punchline of the first two tracks to the unbelievably confident “Talking About Money” to the shoegazer “Mary Is Mary” and triumphant “Tattoo,” there is hardly a misstep on the album and a surfeit of just plain excellent music. (insound)

Hurricane Sandy created conditions conducive to exotic optical phenomena like this display, captured by David Hathaway, comprising “two sun dogs, a 22-degree halo, a parahelic circle, an upper tangent arc, and a parry arc.”

Murcof – “Spring In The Artificial Gardens”
The Versailles Sessions

The occult quasi-baroque meanderings of The Versailles Sessions seem a strange sequel to Murcof’s dubby, Loscil-esque Martes and Remembranza. But a lot can change in a few years, and the artist’s experimental leanings were already evident. Still, it’s a fairly baffling 50 minutes. The focus is on space and ambience, not (as the compelling but ultimately frustrating “Louis XIV’s Demons” shows early on), and this track embodies that without being terminally weird.

My friends, Providence is put to his trumps. A revolution, what does that prove? That God is hard up. He makes a coup d’état because there is a solution of continuity between the present and the future, and because he, God, is unable to join the two ends.

And to see so much discomfort above and below, so much rascality and odiousness and stinginess and distress in the heavens and on earth… to see winter, which is nothing but a rent in the zenith through which the wind blows, to see so many tatters even in the brand new purple of the morning on the tops of the hills, to see the dew drops, those false pearls, to see the frost, that paste, to see humanity torn, and events patched, and so many spots on the sun, and so many holes in the moon, to see such misery everywhere — I suspect that God is not rich.

He keeps up appearances, it is true, but I feel the pinch. We must not judge the gods from appearances. Beneath the gilding of the sky I catch a glimpse of a poor universe, Creation is bankrupt. That is why I am malcontent.

Les Miserables

Multiple pass inkjet prints – Campbell Laird

Abstract painting in grey, brown, and black – Feng Zhongrui (1966)

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Marielle V Jakobsons – “Crystal Orchard”
Glass Canyon

An ethereal but sonically fascinating album. Jakobsons creates wonderful atmospheres, and the journeys through those soundspaces occasionally resemble songs. The first three tracks (this is the second) are especially intriguing. (experimedia)

fly_delphis

//fascinating: old weather project crowdsourcing reading of old ship’s logs
//creativity closely correlated with mental illness (again)
//are these spidery black things on mars dangerous?
//cache of amazing roman erotica unearthed
//locally-sourced maps of the antarctic
//DNA’s 521-year half-life

Society is produced by our wants, and government by our wickedness; the former promotes our happiness positively by uniting our affections, the latter negatively by restraining our vices.

Society in every state is a blessing, but government even in its best state is but a necessary evil — in its worst state an intolerable one — for when we suffer or are exposed to the same miseries by a government, which we might expect in a country without government, our calamities are heightened by reflecting that we furnish the means by which we suffer.

Thomas Paine, Common Sense