Poor Traddles! In a tight sky-blue suit that made his arms and legs like German sausages, or roly-poly puddings, he was the merriest and most miserable of all the boys. He was always being caned—I think he was caned every day that half-year, except one holiday Monday when he was only ruler’d on both hands—and was always going to write to his uncle about it, and never did. After laying his head on the desk for a little while, he would cheer up, somehow, begin to laugh again, and draw skeletons all over his slate, before his eyes were dry. I used at first to wonder what comfort Traddles found in drawing skeletons; and for some time looked upon him as a sort of hermit, who reminded himself by those symbols of mortality that caning couldn’t last for ever. But I believe he only did it because they were easy, and didn’t want any features.
Charalambides – “Tea”
Our Bed Is Green
Charalambides is one of the more mysterious artists out there, and Our Bed Is Green is only one of several mystically dumbfounding albums. The irregularity and variety on display give no indication of their later, more minimal Internal Eternal or the monolithic, droning INCREASE. More than perhaps any other artist I know of, it is infernally difficult to represent them with a single track. So I’ve just picked a good one.
She brought with her two uncompromising hard black boxes, with her initials on the lids in hard brass nails. When she paid the coachman she took her money out of a hard steel purse, and she kept the purse in a very jail of a bag which hung upon her arm by a heavy chain, and shut up like a bite. I had never, at that time, seen such a metallic lady altogether as Miss Murdstone was.
Christopher Milk, Last Day Dream
Mike showed this to me a few days ago as a counterpoint to the far less compelling “The Last Three Minutes,” which clearly bites this.
The Fiery Furnaces – “I Lost My Dog”
Blueberry Boat
Although the majority of this 2004 album is still far too weird for me, the density of musical ideas on this and other tracks is simply too incredible to ignore. Clearly unable or unwilling to edit themselves, The Fiery Furnaces have certainly created a unique sound — but one that is nearly impenetrable to newcomers. “I Lost My Dog” is probably the most accessible song, and even at a relatively short three and a half minutes, the sound is changed up more times than on many full-length albums. If it strikes you, you might consider embarking on the full album, but consider yourself warned. (insound)
Vocabulary: Dare to be Anaractic edition
geognostic: having to do with the constituent parts of the earth (air, crust, etc)
cantatrice: a professional female singer (clearly, but an uncommon word)
dysgenic: having a negative effect on the offspring – opposite of eugenic
historiographer: an official historian of an institution, order, or society
crenated: having a notched or rounded saw-tooth pattern at the edge
plangent: resounding loudly, especially with a sad or plaintive noise
epos: an epic poem, or events which would be appropriate for one
faience: glazed earthenware; also, a strong greenish-blue color
monody: limited to or dominated by a single voice or melody
hygrometry: the branch of physics concerned with humidity
aseity: the property of being self-created or self-originating
ataraxy: the state of being emotionally undisturbed, calm
bibelot: a decorative object, trinket, or curiosity
commorient: dying simultaneously or together
conspectus: a general survey or summary
Album cover for Growing’s The Soul of the Rainbow and the Harmony of Light
Cul de Sac – “Dust of Butterflies”
Death of the Sun
This fascinating album (with its beautiful album art by Corot) falls under the same mystical category as Charalambides and Black Forest, Black Sea. “Dust of Butterflies” is the opener, and a lovely opener it is — more Tape than jammy post-rock, just as the rest of the tracks defy easy categorization. Some as twinkling and rich as early Tarentel, some more sound collage than song. The only way to know is to listen — so listen. (insound)
He has danced in every palace of every capital, played in every club. He has hunted elephants through the jungles of India, boar through the forest of Austria, pigs over the plains of Massachusetts … He has ridden through Moscow, in strange apparel, to kiss the catafalque of more than one Tzar … Be he gallant, the ladies are at his feet.
Septembre 1909
What audacious criminal, what mystifier, what maniac collector, what insane lover, has committed this abduction?
The theft of the Mona Lisa
…One passerby noticed a man on the sidewalk carrying a package wrapped in white cloth. The witness recalled noticing the man throw a shiny metal object into the ditch along the edge of the street. The passerby glanced at it—it was a doorknob.
If anyone else noticed during the rest of the day that there were four bare hooks where the Mona Lisa usually hung, they kept it to themselves. Incredibly, not until Tuesday, when the Louvre again opened its doors to the public, did anyone express concern over the fact that the world’s most famous painting was missing from its usual place.















