Grails – “Doomsdayer’s Holiday”
Doomsdayer’s Holiday
Though slightly terrifying, this is a great opener. The slow-burn east-west fusion of Burning Off Impurities is completely absent, replaced by monolithic riffs and crashing cymbals. The off-kilter arrangements return in the next track, but “Doomsdayer’s Holiday” is a great shock to the senses; it makes you pay attention, because you’re afraid the music might reach out and strangle you at any moment. (insound)
Air – “Modular Mix”
Premiers Symptomes
Although Air has pretty much completely abandoned the sound of their early days (this collection of singles came out in 1997), this is still my favorite album of theirs. And “Modular Mix,” their first single, is one of their best songs. It’s funny how I can dislike much music that is superficially similar to these tracks (Thievery Corporation comes to mind) — but the difference in quality really is there, in my opinion, even if the laid-back vibe is identical.
I did not usurp the crown. I found it — in the gutter.
Yellow Swans – “Our Oases”
At All Ends
Only noise fans need apply. At All Ends is a surprisingly approachable album, like a very noisy hybrid between Growing and Tim Hecker. It’s still abrasive and loud as hell, but in songs like “Mass Mirage” you have periods of unexpected calm and a current of melody running beneath the whole thing. Definitely a must-listen for fans of drone and noise. (insound)
I am growing great in Latin verses, and neglect the laces of my boots.
Try to preserve an author’s style as if he is an author and has a style.
Very like a whale.
The Clientele – “K”
Strange Geometry
The singer for the Clientele obviously had it bad for a girl known only as “K,” who has (we are informed in the first track) gotten over him, resulting in the strange geometry of the album title. The music doesn’t depart much from the hazy, gossamer, reverb-drenched style they nailed in The Violet Hour, but it’s so pleasant that you can never really have too much. This track is a bit different from the rest, being shorter than the rest yet sporting an extended intro. (insound)
Similar (though less iconic) style to propaganda posters at the time… which I suppose these comics were, in a way.
Nest – “The Twelve”
Retold
Nest’s self-titled album was the last thing I wrote about on my old music blog. At the time, the label (Serein) was all-free and all-digital, which has since changed, though I’d like to think the experiment was a success. At any rate, this new album from Nest is a rerecording of the old EP, plus several new tracks, and is well worth a purchase. The calm, cinematic beauty of almost every track is refreshing, and “The Twelve” is a perfect representation of the way Nest allows the arrangements to breathe. The closest comparator I can come up with is Chopin crossed with Labradford.
Spoon – “I Summon You (Cool)”
Get Nice!
This alternate version of the Gimme Fiction track has a fun one-off feel, as if it were a remix by the Notwist or something. I think the little electronic warbling is a nice counter to Britt Daniel’s rough vocals. It’s only a minute and a half long, rather short of the four minutes of the album version, but I like it that way.
So – “Track 2”
So
The So project, a collaboration between Japanese songstress Eri and the enigmatic noise/electronic pioneer Markus Popp (Oval), is a strange, beautiful, and unpredictable affair. Eri’s warblings are layered and distorted so as to be nearly unrecognizable, but Popp still crafts them into coherent songs… when he feels like it. Track 2 is the strongest, I think, but 1 and 4 are also nice, and although the overall texture remains steady, there is a lot of variety on the record and it’s well worth exploring for any fan of electronic music. (insound)
What happiness (I thought) if we were married, and were going away anywhere to live among the trees and in the fields, never growing older, never growing wiser, children over, rambling hand in hand through sunshine and among flowery meadows, laying down our heads on moss at night, in a sweet sleep of purity and peace, and buried by the birds when we were dead!
