Heading South so I can go North
Guided by birds but drifting off course
Read the tide-table before starting out
But 30 years old with chapters torn out
You, waking up from a dream of the sea
Safe in the harbour from sailors like me
You, in the kitchen, waiting on tea
Whilst I lose the compass to a trick of the sea
Flying Lotus (ft. Laura Darlington) – “Table Tennis”
Cosmogramma
If you like this track, a kind of dreamy cross between Manitoba and Stereolab, be aware that the rest of the album doesn’t really sound like this at all. It’s all over the place, really — but there there lots of high points like this which don’t seem to correspond to each other at all. Delicately plucked guitar gives way to drill and bass in a moment, and then segues into a choppy Thom Yorke vehicle. It’s all a bit weird, but interesting the whole way through. Plus: awesome cover art. (insound)
“And if the fight should be at sea I have kinds of many machines most efficient for offense and defense; and vessels which will resist the attack of the largest guns and powder and fumes.
I have means by secret and tortuous mines and ways, made without noise, to reach a designated spot, even if it were needed to pass under a trench or a river.
I will make covered chariots, safe and unattackable, which, entering among the enemy with their artillery, there is no body of men so great but they would break them. And behind these, infantry could follow quite unhurt and without any hindrance.”
Grails – “Doomsdayer’s Holiday”
Doomsdayer’s Holiday
Though slightly terrifying, this is a great opener. The slow-burn east-west fusion of Burning Off Impurities is completely absent, replaced by monolithic riffs and crashing cymbals. The off-kilter arrangements return in the next track, but “Doomsdayer’s Holiday” is a great shock to the senses; it makes you pay attention, because you’re afraid the music might reach out and strangle you at any moment. (insound)
Air – “Modular Mix”
Premiers Symptomes
Although Air has pretty much completely abandoned the sound of their early days (this collection of singles came out in 1997), this is still my favorite album of theirs. And “Modular Mix,” their first single, is one of their best songs. It’s funny how I can dislike much music that is superficially similar to these tracks (Thievery Corporation comes to mind) — but the difference in quality really is there, in my opinion, even if the laid-back vibe is identical.
I did not usurp the crown. I found it — in the gutter.
Yellow Swans – “Our Oases”
At All Ends
Only noise fans need apply. At All Ends is a surprisingly approachable album, like a very noisy hybrid between Growing and Tim Hecker. It’s still abrasive and loud as hell, but in songs like “Mass Mirage” you have periods of unexpected calm and a current of melody running beneath the whole thing. Definitely a must-listen for fans of drone and noise. (insound)
I am growing great in Latin verses, and neglect the laces of my boots.
Try to preserve an author’s style as if he is an author and has a style.
Very like a whale.
The Clientele – “K”
Strange Geometry
The singer for the Clientele obviously had it bad for a girl known only as “K,” who has (we are informed in the first track) gotten over him, resulting in the strange geometry of the album title. The music doesn’t depart much from the hazy, gossamer, reverb-drenched style they nailed in The Violet Hour, but it’s so pleasant that you can never really have too much. This track is a bit different from the rest, being shorter than the rest yet sporting an extended intro. (insound)
Similar (though less iconic) style to propaganda posters at the time… which I suppose these comics were, in a way.
Nest – “The Twelve”
Retold
Nest’s self-titled album was the last thing I wrote about on my old music blog. At the time, the label (Serein) was all-free and all-digital, which has since changed, though I’d like to think the experiment was a success. At any rate, this new album from Nest is a rerecording of the old EP, plus several new tracks, and is well worth a purchase. The calm, cinematic beauty of almost every track is refreshing, and “The Twelve” is a perfect representation of the way Nest allows the arrangements to breathe. The closest comparator I can come up with is Chopin crossed with Labradford.
Spoon – “I Summon You (Cool)”
Get Nice!
This alternate version of the Gimme Fiction track has a fun one-off feel, as if it were a remix by the Notwist or something. I think the little electronic warbling is a nice counter to Britt Daniel’s rough vocals. It’s only a minute and a half long, rather short of the four minutes of the album version, but I like it that way.
