He wears a mask, and his face grows to fit it.

George Orwell, Shooting an Elephant

Who can tell how scenes of peace and quietude sink into the minds of pain-worn dwellers in close and noisy places, and carry their own freshness, deep into their jaded hearts! Men who have lived in crowded, pent-up streets, through lives of toil, and who have never wished for change; men, to whom custom has indeed been second nature, and who have come almost to love each brick and stone that formed the narrow boundaries of their daily walks; even they, with the hand of death upon them, have been known to yearn at last for one short glimpse of Nature’s face; and, carried far from the scenes of their old pains and pleasures, have seemed to pass at once into a new state of being. Crawling forth, from day to day, to some green sunny spot, they have had such memories wakened up within them by the sight of the sky, and hill and plain, and glistening water, that a foretaste of heaven itself has soothed their quick decline, and they have sunk into their tombs, as peacefully as the sun whose setting they watched from their lonely chamber window but a few hours before, faded from their dim and feeble sight!

Dickens, Oliver Twist

I only know two sorts of boys. Mealy boys, and beef-faced boys.”

“And which is Oliver?”

“Mealy. I know a friend who has a beef-faced boy; a fine boy, they call him; with a round head, and red cheeks, and glaring eyes; a horrid boy; with a body and limbs that appear to be swelling out of the seams of his blue clothes; with the voice of a pilot, and the appetite of a wolf. I know him! The wretch!

Charles Dickens, Oliver Twist

Never did men wear greater breeches or carry less in them of any mettle whatsoever.

Women’s Petition Against Coffee (Anonymous 1674 pamphlet)

One sometimes gets the impression that deconstruction is a kind of game that anyone can play. One could, for example, invent a deconstruction of deconstructionism as follows: In the hierarchical opposition, deconstruction/logocentrism (phono-phallo-logocentrism), the privileged term “deconstruction” is in fact subordinate to the devalued term “logocentrism,” for, in order to establish the hierarchical superiority of deconstruction, the deconstructionist is forced to attempt to represent its superiority, its axiological primacy, by argument and persuasion, by appealing to the logocentric values he tries to devalue. But his efforts to do this are doomed to failure because of the internal inconsistency in the concept of deconstructionism itself, because of its very self-referential dependence on the authority of a prior logic. By an aporetical Aufhebung, deconstruction deconstructs itself.

John Searle, On Deconstruction

I would like to believe that hashish persuades nature to permit us — for less egoistic purposes — that squandering of our existence that we know in love. For if, when we love, our existence runs through nature’s fingers like golden coins that she cannot hold and lets fall so that they can thus purchase new birth, she now throws us, without hoping or expecting anything, in ample handfuls, toward existence.

Walter Benjamin, Hashish in Marseilles

He had the appearance of a caryatid on vacation; he was supporting nothing but his reverie.

Les Miserables

What is this, Alcibiades? Are we to have neither conversation nor singing over our cups; but simply to drink as if we were thirsty?

Plato, The Symposium

Far on the right, her dogs foul Scylla hides:
Charybdis roaring on the left presides,
And in her greedy whirlpool sucks the tides;
Then spouts them from below: with fury driv’n,
The waves mount up and wash the face of heav’n.
But Scylla from her den, with open jaws,
The sinking vessel in her eddy draws,
Then dashes on the rocks. A human face,
And virgin bosom, hides her tail’s disgrace:
Her parts obscene below the waves descend,
With dogs inclos’d, and in a dolphin end.
‘Tis safer, then, to bear aloof to sea,
And coast Pachynus, tho’ with more delay,
Than once to view misshapen Scylla near,
And the loud yell of wat’ry wolves to hear.

Dryden’s Aeneid

But where the company are real gentlemen and men of education, you will see no flute-girls, nor dancing-girls, nor harp-girls; and they have no nonsense or games, but are contented with one another’s conversation, of which their own voices are the medium, and which they carry on by turns and in an orderly manner, even though they are very liberal in their potations.

Plato, Protagoras