Who can tell how scenes of peace and quietude sink into the minds of pain-worn dwellers in close and noisy places, and carry their own freshness, deep into their jaded hearts! Men who have lived in crowded, pent-up streets, through lives of toil, and who have never wished for change; men, to whom custom has indeed been second nature, and who have come almost to love each brick and stone that formed the narrow boundaries of their daily walks; even they, with the hand of death upon them, have been known to yearn at last for one short glimpse of Nature’s face; and, carried far from the scenes of their old pains and pleasures, have seemed to pass at once into a new state of being. Crawling forth, from day to day, to some green sunny spot, they have had such memories wakened up within them by the sight of the sky, and hill and plain, and glistening water, that a foretaste of heaven itself has soothed their quick decline, and they have sunk into their tombs, as peacefully as the sun whose setting they watched from their lonely chamber window but a few hours before, faded from their dim and feeble sight!
Miscellaneous heading crests, source obscure
Lotus Plaza – “Monoliths”
Spooky Action at a Distance
It’s hard to pin down the sound exactly – Jesus & Mary Chain crossed with Women? However you define it, this Deerhunter side project makes solid, fuzzy psych-rock and “Monoliths” is an ebullient nugget of just that. (insound)
Pages from DMT 42 and Duke City Realty, by Galina Golikova, illustrated by Gerald Laing
I only know two sorts of boys. Mealy boys, and beef-faced boys.”
“And which is Oliver?”
“Mealy. I know a friend who has a beef-faced boy; a fine boy, they call him; with a round head, and red cheeks, and glaring eyes; a horrid boy; with a body and limbs that appear to be swelling out of the seams of his blue clothes; with the voice of a pilot, and the appetite of a wolf. I know him! The wretch!
Yu Chengyao – A song in the clear river
Brambles – “Salt Photographs”
Charcoal
Another subdued album of what might be called ‘enhanced chamber music’ from the label that owns that space, Serein. This song, the longest on Charcoal, combines atmospheric noise and percussion with delicate and precisely-placed strings and keyboards. I love the transition and slow build, like a cross between early A Silver Mt Zion and label-mates Nest — a nearly flawless ambient work. (serein)