If I wished a boy to know something about the arts and sciences, for instance, I would not pursue the common course, which is merely to send him into the neighborhood of some professor, where anything is professed and practised but the art of life; — to survey the world through a telescope or a microscope, and never with his natural eye; to study chemistry, and not learn how his bread is made, or mechanics, and not learn how it is earned; to discover new satellites to Neptune, and not detect the motes in his eyes, or to what vagabond he is a satellite himself; or to be devoured by the monsters that swarm all around him, while contemplating the monsters in a drop of vinegar. Which would have advanced the most at the end of a month — the boy who had made his own jackknife from the ore which he had dug and smelted, reading as much as would be necessary for this — or the boy who had attended the lectures on metallurgy at the Institute in the meanwhile, and had received a Rodgers’ penknife from his father? Which would be most likely to cut his fingers?
links/edition/minmax
A creature of good humour and bad company, brave, a spendthrift, prodigal almost to generosity, talkative almost to eloquence, bold almost to effrontery; the best possible devil’s-pie; with fool-hardy waistcoats and scarlet opinions.
The Willowz – “Cons and Tricks”
Talk in Circles
Just some straight-up noisy garage rock. Love the “busy” tone about 2/3rds through. Apparently this was on Jersey Shore? Doesn’t matter, great song.
Reamde (Neal Stephenson, 2011)
Like most Neal Stephenson books, Reamde is unsatisfying. But unlike Anathem, which was unsatisfying because it just barely missed following through on a powerful and fascinating premise, Reamde is unsatisfying because it aims so low. It is a surprisingly unambitious and overstuffed series of procedurals that has you waiting for a payoff that never comes. Page by page it is enjoyable, but around 900 of the 1040 pages are enjoyable in more or less the same way, and you reach saturation long before they run out; the remaining 140 pages are essentially irrelevant navel-gazing.
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Lead Belly – “Black Betty”
Negro Sinful Songs
After hearing the 1977 Ram Jam version of this song, I was curious about its origins. Turns out it dates back to at least 1933 (almost certainly decades before), but was first commercially recorded by Lead Belly in 1939. Betty herself seems to be everything but a trouble-ridden woman; “Black Betty” is said to refer to a whip used in prisons, or the black wagon used to transport prisoners, or (as early as 1736, noted by Benjamin Franklin) a bottle of whiskey.
links/edition/endangered_players
Millefiori – watercolor in ferrofluid, Fabian Oefner (making of)
They are irregular, obscure, various, so infinite, Proteus himself is not so diverse; you may as well make the moon a new coat as a true character of a melancholy man; as soon find the motion of a bird in the air as the heart of man, a melancholy man.
San Francisco in ruins, 1906 (larger)
Laocoön
Tanakh – “5 AM”
Ardent Fevers
While this album never approaches the mystical prominence of Villa Claustrophobia, it does have some moments of beauty and lucidity. Here is one of them. (insound)
The rapidity with which ideas grow old in our memories is in a direct ratio to the squares of their importance. Their apparent age runs up miraculously, like the value of diamonds, as they increase in magnitude. A great calamity, for instance, is as old as the trilobites an hour after it has happened. It stains backward through all the leaves we have turned over in the book of life, before its blot of tears or of blood is dry on the page we are turning. For this we seem to have lived; it was foreshadowed in dreams that we leaped out of in the cold sweat of terror; in the “dissolving views” of dark day-visions; all omens pointed to it; all paths led to it. After the tossing half-forgetfulness of the first sleep that follows such an event, it comes upon us afresh, as a surprise, at waking; in a few moments it is old again, — as old as eternity.
“In translating the gamma-ray measurements into musical notes we assigned the photons to be ‘played’ by different instruments (harp, cello, or piano) based on the probabilities that they came from the burst.” (NASA)
Dead men’s bones, hobgoblins, ghosts are ever in their minds, and meet them still at every turn; all the bugbears of the night, and terrors, fairybabes of tombs and graves are before their eyes and in their thoughts, as to women and children, if they be in the dark alone.
World’s End Girlfriend – “We are the massacre”
The Lie Lay Land
A beautiful but sometimes grating and even terrifying album, The Lie Lay Land is inarguably also very creative. The way this Japanese electronic-classical composer combines soothing strains with noise and samples is atmospheric and powerful, though certainly not for everyone. This track is probably the most accessible, though their collaboration with Mono is more likely to attract the average listener’s ears.
Wonderful and terrible trial, from which the feeble come out infamous, from which the strong come out sublime. Crucible into which destiny casts a man whenever she desires a scoundrel or a demigod.
On hill and prairie, field and lawn,
Their dewy eyes upturning,
The flowers still watch from reddening dawn
Till western skies are burning.















